Wednesday, July 31, 2013

"My cups were B" -FOR THE TIDE BEING- {a poem}


I can't figure out why this poem hasn't made it into any of the big anthologies. Well, I accept a life of ignominy with my usual genial disillusion. Read and then tell me your life hasn't been changed by Sarah Sarai. And no, I am not posting it to fulfill my ongoing need for content. I don't think it has any.


For the Tide Being
  
I was adrift
5 billion years
& then I swept ashore
 
w/ a jig & a tra
& a Ain’t I
Miss La De Da
  
The sand was firm,
my legs were not,
upon the moundy beach 
  
w/ a ho & a heave           
& a In your cups,
again?
  
My cups were B,
I cleaved to earth:
o! sandy Mama Dear
 
w/ a cry & a whoop
& a Worried
I’m all wet? 
___
Of for and by Sarah Sarai. Written in the previous century, but latish, like the 1998s.
...The delightful illustration is from the Cairo newspaper Al-Ahram Weekly and part of a series illuminating the fiction of Nagib Mahfouz (who won a Nobel in 1988).

Sunday, July 28, 2013

I would like / to be Phoenician...from my poem "The Quiet Softness" ("Don't you like me / more, now?")






The Quiet Softness

About Queen Dido, you wonder,
if at some point early enough for 
self-prevention she could have 
hung up mythology for a safe 
nakedness of, hey, herself, even 
if judged (when the world sees you 
as you were born it confronts fear 
of isolation and transformation, 
and the world detests confrontation 
unless it’s brutal and there’s victory 
or a shield or rhymed manuscript 
rendering titanic loss as fame).  
Dido was Phoenician. I would like 
to be Phoenician, say it with me, 
Phoenician.  Don’t you like me 
more, now?  Forgetting rapture in 
the arms of an accomplished heart 
or the quiet softness of a penis 
sighing, Aeneas sailed his cock 
to Rome, leaving her in Carthage, 
the city of her breasts stomach 
hips, configurations of the universe.  
Dido.  Were his promises to be 
believed, really.  You can still 
tell him no.  And it’s going to be 
a while before translations of war 
and abandonment no longer make 
sense.  In your lovely city you can
weep.  Yours, you built it, weep. 
_____
Sarah Sarai, published in Gargoyle 57, 2011, edited by Richard Peabody.

I know a poet who lives in one of the many Phoenicas; a lucky Phoenician.

Photo: a San Francisco company's production of Purcell's Dido and Aeneas. More on the Urban Opera HERE.

Saturday, July 20, 2013

Poem: "On Being Criticized for Identifying Ishmael Reed as a MacArthur Fellow"




On Being Criticized for Identifying Ishmael Reed as a MacArthur Fellow
Writer, public intellectual, media commentator, Berkeley professor, recipient of a MacArthur Fellowship, father, and 75-year-old man-of-color, Ishmael Reed was hassled by three clerks today at a Walgreens on Shattuck. He was shopping for a bargain pack of bottled water.

Taking a break from hiding out from the Nazis in an attic with his family in Holland, teenaged girl Ishmael Reed was harassed today by three clerks at a Walgreens in Berkeley. As he noted in his famous diary, it was a hot day in July and he was shopping for bottled water.

Long known as Walt Disney’s favorite Mouseketeer, buxom Ishmael Reed, who died earlier this year from complications of MS, was targeted today by three clerks at Walgreens. He was thirsty and looking to buy a bottle of water.

Hunted across the seas by the bookish Captain Ahab of New England, large white whale Ishmael Reed was profiled by three clerks at a Walgreens in Berkeley. It was July, the Pacific was hot, and he had tired of salt water.

Holding a bag of Skittles and a cell phone, and wearing a gray hooded sweatshirt, 17-year old Ishmael Reed was challenged today by three clerks at a Walgreens in Berkeley.  Mr. Reed was shot dead by George Zimmerman on the night of February 26, 2012, in Sanford, Florida.  He had set out to buy a bottle of water.
______
Sarah Sarai, July 18, 2013 

For info on Ishmael Reed, click.

I was questioned by a friend (a good friend, whose outrage I am spinning off) when I identified Reed as a MacArthur Fellow, and, yes, some of my outrage came from that, and his age, and his Ishmael Reedness. Last Sunday night when I was demonstrating at Union Square my outrage came from, in part, the fact that Trayvon Martin was a silly kid with a bag of Skittles.  We're defined by how we present but that doesn't make the circumstances enacted on us worse or better, or not entirely.

I didn't post this poem when I wrote it because I am not sure it should see the light of day.  But here I go, foolhardy as always.

The astonishing artwork is from http://www.comicvine.com/moby-dick/4005-65442/images/. Chris Doom is the artist.


Monday, July 15, 2013

Don't miss Sapphire this Sunday, 7/21, t.b.d. bar Greenpoint Brooklyn, ORP reading

*
I'll be reading with Sapphire & 6 other poets this Sunday at t.d.b. bar in Brooklyn in an Other Rooms Press extravaganza get the details H-e=Er & this poem is a blatant lure a siren call without any rocks to crash on except the ice cubes in your glass.  Sunday, 7/21. 1-3 pm. Here's a poem by the astonishing Sapphire.

Breaking Kharma #5

I

It is like a scene in a play.
His bald spot shines upward between dark tufts of hair.
We are sitting in a pool of light on the plastic
covered couch, Ernestine, his last live-in,
ended up with. But that is the end.

We are sitting in the beginning of our lives now
looking at our father upright in his black
reclining chair. It's four of us then, children,
new to Los Angeles--drugs, sex, Watts burning,
Aretha, Michael Jackson, the murder of King,
haven't happened yet.

He is explaining how things will be--
Which one will cook, which one will clean.
"Your mama," he announces, "is not coming."

Two thousand miles away in the yellow
linoleum light of her kitchen, my mother
is sitting in the easy tan-colored man's lap.
Kissing him. Her perfect legs golden like
whiskey, his white shirt rolled up arms
that surround her like the smell of cake baking.

"Forget about her," my father's voice drops like
a curtain, "she doesn't want you. She never did."

II

Holding the photograph by its serrated edges, staring,
I know the dark grey of her lips is "Jubilee Red"
her face brown silk. I start with the slick
corner of the photograph, put it in my mouth like it's
pizza or something. I close my eyes, chew, swallow.


___
From Black Wings & Blind Angels by Sapphire. Copyright © 1999 by Sapphire. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher And yet here I've reproduced it. I will apologize to Sapphire on Sunday.

*info on hoodie ...which I found googling kharma...at Rebels Market  

Sunday, July 14, 2013

I Won't Say It Isn't Easy to Hate. Our Million Good Wishes for Trayvon Martin.

painting by Anthony B. Lee, Memphis Tennessee*
I won't say it isn't easy to hate. I won't say that hatred is not some part of the evolutionary playbook, because it is there, here,  making itself available.

I won't say the "fuck you George Zimmerman" and similar I have heard over the past twelve hours aren't a lot more real and comforting than the less felt, more intellectual explanations I've balked at, explanations of Florida or racism in American.

And I won't say we need any more lessons about racism and hatred.  I sure won't say that the point-blank homicidal shooting of Trayvon Martin by George Zimmerman was anything other than the Klan in a not-so-new guise, in action.

I won't say I got all the comfort I need today when I went to church BECAUSE of the verdict, because I needed help.

I won't say I don't worry for every Black teenage boy, every Black man, every male-of-color in the United States, because I do and I see no end to the reasons for my concern. 

I won't say that in a week when I'm having fun with friends or reading a book at a park or grumbling about how I loath working, I will not have moved on in my life. I'm alive.

But I do know I won't forget. After Katrina my niece said, "Well, and now everyone is going to forget."  I knew she was wrong but that she wouldn't hear it from me. People haven't forgotten. The government abandoned abandons and will abandon but New Orleans and Katrina? Remembered.

I've given up my interpretive belief in an afterlife. As an artist I used the solace of metaphor and image. We might be lucky to meld with a star, be bright and unconscious, but that's it.

I won't say more.  I don't have more to say.  I still believe in prayer.  I still believe there is some spirit of Trayvon Martin and that the spirit of Trayvon Martin feels our million good wishes. 

Good wishes, Trayvon.  Fuck you, Zimmerman.

Painting url: Go, Memphis

Monday, July 8, 2013

Are You Tired of Hanging Out with the High-minded & Moral? Then Come to the Other Rooms Reading, 7/21..STARRING Sapphire!


Many apologies to the great Sapphire, poet and genius and moralist and probably the most fun of the lot. Certainly the prettiest.

Them's what I had in mind when writing that title are the two Other Rooms Press instigators, Ed Go and Mike Whalen. Indeed I suspect they left me as the last reader because they figured I'd be so wearied by that point, in the afternoon, I'd buy them a drink. Nice try.

Melissa Christine Goodrum is the editor of The Or Panthology: Ocellus Reseau, which this reading celebrates. We like her. Please join us, SUNDAY, July 21, at t.b.d. bar, 224 Franklin Street in Greenpoint, Brooklyn.

Tuesday, July 2, 2013

Any Other New Yorkers Notice? COPYEDITOR NEEDED!

Hoorah for recycling and hoorah-with-a-bullet for the continued attention paid to recycling by the New York City Department of Sanitation. But someone in the department's Central Correspondence Unit needs to hire a proofreader.

Yesterday I received a mailer detailing expanded criteria for types of PLASTICS. Also, PAPER. It can be ripped from a can and recycled (we are reminded). Hoorah and no argument with that.

But the mailer, sent to each and every 8 MILLION GIVE-OR-TAKE of us was printed as being "First-Class Mail." It wasn't first-class mail. Someone in the department must have noticed, and god knows just who had to manually cross out, with a marker, that portion on each mailer.

How long did it take to cross out 8 million "First Class Mail"s? I thought it was funny, not a hugely costly gaffe, just a gaffe under the watchful eye of Bloomberg who spends so much time instructing the police to stop and frisk, especially to stop and frisk nonwhites. He wasn't aware of his schnoz or that which was under it.

I like to imagine pizzas brought in and disgruntled teenager, children of city workers. I like to imagine a weekend devoted to correcting the mistake, having to send out a team to find an all-night Staples for more markers, someone paying for them himself.

HIRE A COPYEDITOR. If you can't find a good one, who is "thoughtful" (to quote an art director talking about my work), be aware I am here, at your service. No pizza required. (It's hard to proofread yourself, by the way. I know.)

Monday, July 1, 2013

David "88 Constellations" Clark ... And Sarah Sarai Coins a Term

David Clark has been creating witty AND PROBING electronic artsophy (Sarah Sarai's TERM--I coin it) for a good, if not very good, while. I posted a link to his 2010 88 Constellations for Wittgenstein (to be played with the left hand) here on My 3,000 Loving Arms (they're quite loving, trust me) (veering on rapturous).

Sign After the X is one of his earliest works: Mind, Body, Language (a Ouija Planchette), Land (a Monopoly board-I'd like to put a few houses on "Citizen Kane" with its "false displaced center" of Rosebud), Law.  None of this will make sense unless you click and explore. Or will it.

I found Sign After the X on 88constellations.net/blog. More electronic artsophy, notices, links.

Who loves ya, baby? Join the dots.

Monday, June 24, 2013

Stanzas Concerning An Ecstasy Experienced In High Contemplation -- Hippity Birthday to my 2nd Favorite Discalced Carmelite

His Converso father died young. His mother supported the family. As is often the case, education was the way out and up - he was given the basics through a church-run school, and promoted and then grandly and deeply educated, as one would expect of St. John of the Cross.  Trying to reform the Carmelites, as he and my favorite Discalced Carmelite, St. Teresa of Avila, did, was a bad move. He was imprisoned, but then again, lots suffering is good for maybe one in one million sufferers (the other 999,999 just suffer in torment and loneliness - no immortality as odd compensation). He was lashed in front of the community, weekly. (For instance.) There's lots more to him and the community and of course to St. Teresa. But let me not spoil birthday celebrations for this genius poet and enlightened theologian.

Stanzas Concerning An Ecstasy Experienced In High Contemplation

I entered into unknowing,
and there I remained unknowing
transcending all knowledge.

1. I entered into unknowing,
yet when I saw myself there,
without knowing where I was,
I understood great things;
I will not say what I felt
for I remained in unknowing
transcending all knowledge.

2. That perfect knowledge
was of peace and holiness
held at no remove
in profound solitude;
it was something so secret
that I was left stammering,
transcending all knowledge.

3. I was so ‘whelmed,
so absorbed and withdrawn,
that my senses were left
deprived of all their sensing,
and my spirit was given
an understanding while not understanding,
transcending all knowledge.

4. He who truly arrives there
cuts free from himself;
all that he knew before
now seems worthless,
and his knowledge so soars
that he is left in unknowing
transcending all knowledge.

5. The higher he ascends
the less he understands,
because the cloud is dark
which lit up the night;
whoever knows this
remains always in unknowing
transcending all knowledge.

6. This knowledge in unknowing
is so overwhelming
that wise men disputing
can never overthrow it,
for their knowledge does not reach
to the understanding of not
understanding,
transcending all knowledge.

7. And this supreme knowledge
is so exalted
that no power of man or learning
can grasp it;
he who masters himself
will, with knowledge in
unknowing,
always be transcending.

8. And if you should want to hear:
this highest knowledge lies
in the loftiest sense
of the essence of God;
this is a work of his mercy,
to leave one without
understanding,
transcending all knowledge.

by St. John of the Cross, from The Works of St. John of the Cross
Copyright ICS Publications. Permission is hereby granted for any non-commercial use, if this copyright notice is included.

Sunday, June 23, 2013

88 constellations - a Wondrous Way of Learning About Wittgenstein

Here's a particularly brilliant and imaginative, what, insight into? riff on? amplification of? next generationing of? the great, off-putting, daring, brave, lovable, not lovable, sad, distant Wittgenstein. Soldier, brother, bad teacher, philosopher, maybe lover but probably not, and European - brushing suede elbows with other post WW I Europeans of note. 88 Constellations. Created by David Clark.

It doesn't take long to learn to navigate the site. Even if you have never heard of Wittgenstein, the site itself is a plaything and learning tool. And since I was staring at the skies and fat-happy golden moon last night, more sky staring is in order.

Wednesday, June 19, 2013

The Arbour to Joyful Rain - though he's not so joyful - poem by Su Shi / Dong Po

That's him.

The Arbour to Joyful Rain

Should Heaven rain pearls, the cold cannot wear them as clothes;
Should Heaven rain jade, the hungry cannot use it as food.
It has rained without cease for three days -
Whose was the influence at work?
Should you say it was that of your Governor,
The Governor himself refers it to the Son of Heaven.
But the Son of Heaven says "No! It was God."
And God says "No! It was Nature."
And as Nature lies beyond the ken of man,
I christen this arbour instead.
 

 

by Su Shi / Dong Po (1037-1101) / translated by Herbert A. Giles

Monday, June 17, 2013

Era of the There: when dragons were mapped & Great Goddess had mercy (a poem)


Arhats (holy men) Ding Yunpeng. Ming dynasty, 1368 – 1644 B.C.E. Shanghai Museum
Era of the There

One day you stepped off an edge.
Dragons nipped your toes.
Which grew back.
Those were different times.
Your daughter sailed toward There.
She puzzled.
You know how it blushes at
end of light?
Feet flip flopped a cover-
let over turtle-back and loam.
Stilt birds strutted.
You serenaded valleys lying
long on their backs, hands
behind head making of clover-
arms foothills.
Those were different times.
As far as eye could see
greeny willow-leaning and
un-ladle-able soup of alligator-scale. 
Paddle too far and be — like that!
in an instant! all of you! in a gullet
gulped gone — gracefully — 
to not forever flail in the dark
coppery cauldron of mystery.
Oh, even then Great Goddess had
mercy on our miserable lives.

[by Sarah Sarai] [published in Ocellus Reseau: The OR Panthology, 2013] [thanks to Other Rooms Press]

Friday, June 14, 2013

A Little Bliss, a Little Enlightenment: a Meditation on Risk

There’s no loss in a reach for the sublime, still success rates vary.  Note fates of saints and philosophers, of mothers steady on the path:  A little bliss, a little enlightenment. Love. I paint a warning on the clouds: Don’t be hasty, ask only for what you reason to be true and may I suggest you don't assume symbols mean a thing or the thing that symbols are said to represent.  Symbology is creative guesswork born in none of the chakras. Don’t trust your eyes, practice patience, listen.  Bliss-filled, you will die and shed the body, what was it there for, anyway.  You can’t train one eye on sin the other on perfection.  Ah,  you perceive The One to be dual. This means you've turned apostate and a traitor in some folks’ minds but your confusion is sincere, which is more than can be said for many folks. For a time you’ve watched stars flare gasp and die. You’ve gauged risks. Let yourself be singed.

[Sarah Sarai, June 14, 2013] [written because you want to know if you can maintain a series of prose poems]
[beautiful artwork by Hayao Miyazaki]

Thursday, June 13, 2013

King Pellinore and King Vidor - Together at Last

My goblet is half full, my stomach overfloweth. The sword is stoned, Excalibur is just another butter knife. King Pellinore and King Vidor - together at last. My glass is one and three-quarters full, my fullness overfloweth. Vitality is derivative? Schopenhauer doesn't own a glass. Will Smith owns many. Keira Knightley requested an agent when she was 3. She begged for a publicist and a cookie the next day. Minute on the lips/month on the hips - Joan Crawford said that. Minutes turn into months, months turn in early. Discipline offers pleasure. Pleasure brings tears to my eyes. But where to store it? One day all this will be yours. One day a lawyer will object. Never you mind. Always are you lifted. You are already home.

[Sarah Sarai, June 13, 2013] [written because you're not quitting] [written because] [written written written, isn't that enough?]

Wednesday, June 12, 2013

You Are Given Second Chances and You Take Them


As you were crossing Lexington you thought about last night's dream - it wasn't a good one. You also considered red and yellow, the colors, how they work together, yet if you were designing the perfect outfit as you rose from your bed like the undead from a coffin, yet if you were to imagine a blouse awaiting on hanger at Macy's or the Good Will as you flip flopped on sidewalks tacky with phlegm and ambition, never - not once - would you imagine a blouse red and yellow. Not once, yet it could work. You've seen silk sheaths blending statement colors with more sophistication than the Chinese flag. Your dream had something to do with a volunteer gig and poetry. A distasteful gig you abandoned and as you did, you dropped a prop related to the gig, something big as fire extinguisher. But then you conscience-stricken love bundle, you turned back. The dropped prop was damaged but found. The guy organizing the gig shrugged. He knew and cared and didn't. No one wore red and yellow. You returned to the room of poets doing crafts but not good ones. The poets were hopeful. Hope being a fly to swat at.  You returned - it's not a nightmare.  You were given second chances and you took them. Take a chance, dear one, take a second chance. You can rise like steam or a flame or a shard seeking grace and holy love.

[Sarah Sarai, June 12, 2013] [written because you remembered colors] [written because the dream could be worse] [written because you need someone to talk to]

[Sorry I missed yesterday.]

Monday, June 10, 2013

Solids, Liquids, Spherical Shapes, and I Lost My Train of Thought

*
Apparently Titian didn't paint mockingbirds. It would seem Mary Cassatt couldn't be bothered. Titian's first name was Jordan. Mary Cassatt's first name was Camryn. I googled "mockingbird art" and discovered mockingbirds aren't artists. Why the mockingbird? I don't imagine that you, reader, inquires. I imagine I ask because it's what I expect: a question. The Question In Pre-Modernity. Solids, Liquids, Spherical Shapes, and I Lost My Train of Thought. Camryn Mary Cassatt: couldn't be bothered or wouldn't be bothered? The heart has wings so why the fuck not the suckling child? Tell you the truth, I dread work today. But I love getting paid now and then, the now and then I get paid. Even $25 for reviewing a book is a thrill but Christ it's a lot of work. The end.

[Sarah Sarai, June 10, 2013] [written because blame habit] [written because I watched a show] [written]

[That's a royalty-free stock photo of a northern mockingbird. In 3-D.]

Sunday, June 9, 2013

Spinoza to Simon De Vries: No Experience Necessary


from Spinoza in Cartoons*
Respected Friend,You ask me if we have need of experience, in order to know whether the definition of a given attribute is true. To this I answer, that we never need experience, except in cases when the existence of the thing cannot be inferred from its definition, as, for instance, the existence of modes (which cannot be inferred from their definition); experience is not needed, when the existence of the things in question is not distinguished from their essence, and is therefore inferred from their definition. This can never be taught us by any experience, for experience does not teach us any essences of things; the utmost it can do is to set our mind thinking about definite essences only. Wherefore, when the existence of attributes does not differ from their essence, no experience is capable of attaining it for us. ...[Italics mine, more info below]**
Letter XXVIII, courtesy of Online Library of Liberty.

To which I, Sarah Sarai, say, what?  Experience doesn't teach us a thing's essence? Okay, then. I vote for intuition and a holy flash of understanding. Experience can be a first step, but if something is what it is, well, then, that's that, and it can stay on the top shelf in a Chinese pagoda while I know it, just know it, from afar. My oldest sister experienced Europe. She came back and said, "It's just old." Living in New York City after having lived in Seattle for ten years and Los Angeles for over twenty-five years, I got it, believed her, understand the essence of her critique. It's old here in Manhattan, too. The infrastructure is weak and every tall building is on a sinkhole of mildew resulting from poor caulking. Trust me. Without experiencing the absolute collapse of European culture I nonetheless tell you it's inevitable. Move west. West.

[Sarah Sarai, June 9, 2013] [written because I was blown away] [written because Spinoza's torments were worse than mine and he got a grip] [written because I ain't kidding anyone anyway] [written because yowza writing's fun ((not sure if all these are prose poems but they are definitely probably paragraphs))]

*** Spinoza, pg. 316-317 of Benedict de Spinoza's On the Improvement of Understanding/The Ethics/Correspondence tr. by R.H.M. Elwes, Dover Books. BUY IT! [Italics, mine] [He continues a few more lines to talk of eternal truths.]

Spinoza in cartoons. I'd like to see him in Khartoum.

Saturday, June 8, 2013

How Mel-Mel's Mind Works: I Had Fun With This One!

Not Tarzana but an echo of.
Okay. So here's the deal. Mel-Mel doesn't like sharing, not ongoings of her life, not with strangers, i.e., occasional workmates. Not unless the ongoings are stored in a pink plastic folder she can pull from her purse, ta dah. Not unless they are her ice skates and she can tell her pudgy, finger-in-the nose classmates about the rink in Tarzana. Which abuts Encino. Which whistles to Sherman Oaks. And there's North Hollywood going cheek-to-cheek with Burbank. This train of thought is going loop-de-loop, a description of a thought's rotation in the heavenly spheres of the conscious-ish mind. She likes pictures in frames. Narratives are pictures. But the personal is not framed. It romps wild in dreams and echoes in chambers of the heart of a judge. So now Mel-Mel is in trouble because this workmate has hurt feelings. Mel-Mel is nervous because there are always consequences in her awkward life. Every inaction rates an action in her life. Mel-Mel has too logical a mind to understand her workmate's locker of hurt feelings.

[Sarah Sarai, June 8, 2013] [written because she wishes she were different but she's not] [written because so what iimperfection is revealed] [written because she likes feeling relieved] [written because writing is the best]