Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Thursday, April 25, 2024

BRIGHT-EYED: The new poetry collection from Sarah Sarai & Poets Wear Prada

BRIGHT-EYED is now available on Amazon. 



from the back cover: 

Bright-Eyed, Sarah Sarai’s deliciously quirky excursion into her California roots, explores the concept of family and the racial and gender divides that can obscure the basic truths of existence. Danced out into the sun-bleached So Cal heat, these poems dazzle. As the poet says in “Wasted in a Special Way,” It is always good to be young and loaded./Something, somewhere is always good./Something somewhere is always wasted. These poems are terrific. Nothing wasted. Nothing at all. 

 —Alexis Rhone Fancher, author of EROTIC: New & Selected


With Sarah Sarai’s Bright-Eyed, I’m reminded of the Miles Davis idea that music’s not the notes but the attitude of s/he who blows the notes, and Bright Eyes is filled with attitude. It’s a joy-ride through the old neighborhood informed by a vital wit that ranges from Sun Ra to Nietzsche and drops aphorisms the way Hansel and Gretel dropped crumbs – the past doesn’t haunt you/you haunt the past; youth is a superpowerTo have a self:/That’s an art; and on and on – reminding us, if we need reminding, that you can’t go home again, but you do anyway.

—Tim Tomlinson, author of This Is Not Happening to You; co-founder, New York Writers’ Workshop



Order here: https://amzn.to/3PM90bH 


BRIGHT-EYED is published by Poets Wear Prada, a press founded in Hoboken and specializing in beautiful paperback books. Roxanne Hoffman is founder and editor-in-chief. Jack Cooper is editor.


About BRIGHT-EYED: These poems reflect this native New Yorker’s family's move to California; growing up on the West Coastthe San Fernando Valley, the Crenshaw District, Echo Park, in the 1960s and 19670s as a preteen, teen, and soon an adult; and her responses to her new surroundings and the times. Several poems explore interracial tension and coexistence from the viewpoint of a young person whose older sister created an interracial family. The poet explores her relationships with her nephew, niece, their children, and her brother-in-law from the perspectives of both family and race. Her insight and wit are reminiscent of the California poet Diane Wakowski and James Broughton.



 

Sunday, January 2, 2022

A Dog Barks ... (fiction) (family) (Crenshaw District) (seventies)

A Dog Barks

            So, “hi.” I am watching some game with my brother-in-law and my sister has got off the phone.

            So my sister says, “hi.” She doesn’t sit down. Here’s the scene: me, Lisa, Teddy and the TV. Lisa and Teddy have some furniture, a new couch, old chairs.

            I know Lisa won’t sit down to watch TV because I’ve known her all my life and I never see her except that she’s doing something at a table. She gives crystal parties where you buy punch sets and goblets. She does paper work all the time.

            So we’re in the dining room next to the living room where Teddy is and his brother Keebro pushes the screen door and comes in, says hi to everyone and sits down. The colors: brothers-black; sisters-white. Keebro checks the score.

            Teddy pulls out the cigar box from under his big chair. He rolls one. To be sociable I walk in the living room and take a hit or two.

            “You think you can handle it?” Keebro asks me.

            “I’d rather handle it than you,” I say to say something. They laugh.

            I stroll back to Lisa who is adding things up on her machine, a portable with a miniature, maybe half-inch tape. She brings it to parties.

            “How’s business?”

            Her fingers are moving. To talk she stops. She never smokes.

            “I’m busy. Margie had a party last night and Ellen is giving one Sunday afternoon. It’s building. Look.” She points to the evidence: orders, receipts, invoice slips, piled high. “But we almost didn’t make the house payment.”

            Living room and dining room are divided by molding, up, over and down. We figured there used to be sliding wooden doors. Who needs another wall? I look through the space at Teddy and Keebro, talking about their jobs, the game, news, dope; talking crazy.

            “Why not?” Because I’m not married I expect people with more things – there’s a lot of them – to get it in on time. And Teddy’s a welder. They have some bucks.

            “I don’t know.”

            Our parents would be mad.

            “My landlord’s dog is driving me crazy,” I state loudly enough for both rooms to hear. “He barks. And he’s small and ugly. Black.”

            “Who’s black and ugly,” Teddy shouts from the next room.

            My sister tells him.

            Keebro laughs. “Well, I guess she should know.”

            “No, but listen.” I’ve got this nice persistent buzz and it makes me want to make myself clear. “He barks all the time. I have earplugs but why should I have to bother? And when I walk up the driveway to my car he runs around me in circles, barking.”

            “Kick him,” Teddy and Keebro say.

            “I do.” I want to, anyway.

            The phone rings. It’s Margie for my sister. They are talking and it will be a while. They talk crystal and then I can tell they are on to Margie’s husband Sam. I hang out at the table. I pick up the catalog and read it with the same interest I approach food labels, which I love to read. They use my mind but don’t push me.

            My sister is pouring soda in the kitchen while she talks.  The phone will follow her anywhere.

            “Don’t you think I have a right to quiet?” I look at Teddy and Keebro. They are fixed on the set; their bodies make loose curves in their chairs. My brother-in-law has to break concentration to talk to me.

            “Hey, it’s his property. That’s kind of it.”

            “Why don’t you move here?” Keebro asks, not moving his eyes from the tube.

            “She’s afraid of me.” Teddy reaches for his beer.

            I stand, lean on the molding. No one speaks. Now Keebro is rolling. They’re advertising beer, and he asks, “What kind of dog?”

            “Just small. Skinny.”

            “I thought you said black.”

            “If he’s black he ain’t small,” Teddy says.

            “You wish.” My sister is back.

            The game is on again and I sit down. “How’s Margie?”

            “I don’t know how she does it.” My sister is talking real low. I lean in her direction. “She’s seeing someone.”

            “Does Sam know?”

            “She doesn’t really care. He’s seeing someone. They’re always running out on each other. I wish I could.”

            She runs the machine. I stand by the table. She has these pictures of English landscapes on the walls at which I stare hard.

            “It’s pretty green there, isn’t it,” I comment.

            Teddy walks by. “Tell this dreamer she can move in with us. We got the room.” He puts his hand on the adding machine so it’s hidden.

            “You’re crazy,” I say to Teddy.

            The phone rings again and my sister is gone. Teddy’s not real tall and our eyes have no place to look but at each other. Probably we’re both red-eyed. “Why do you have to live alone? Families should be families.”

            I sit. He heads into the kitchen. Returns with another beer.

            “The dog sure ain’t moving.”

            I sigh.

            “Move in with someone. One of your girlfriends.”

            “I like living alone.”

            “You sure are here a lot.”

            “I thought you were my family.”

            He looks at me like I’m sitting in one of those English gardens and joins Keebro.

            “That girl knows everything.”

            “You know everything?” Keebro shouts. “I got a couple of questions I need to ask you. What should I ask her?”

            “Ask her who’s going to win this game.”

            “Who’s going to win this game?”

            “The Dodgers,” I say.

            Teddy and Keebro laugh. “They’re ahead,” Keebro says. “I’m taking you to Vegas next time.”

            “Better be careful. She’s getting scared.”

            My sister is still talking. I go in the kitchen. Wave. She looks at me. Squints. Nods.

            As I’m walking towards the door, Teddy says, “Don’t forget what I said.” He jumps up and hands me a joint. Tightly rolled.

            “How can I forget anything if I know everything?” I say and leave.

 

            The moon is full or could be and I can see my way down my driveway without effort. It’s a warm night, still, and quiet. A miracle. My tiny apartment is hidden behind a garage so old and peeling it’s not worth noticing. I am on a hill and can leave my bedroom window open. This is Silverlake. The curtains are pulled back. I see night shades of a desert scene, a desert that has little houses and palm trees like flagpoles in front. There are no colors in my landscape. I light up, take a few drags and put it out. I am looking at everything and I don’t miss myself in this scene. I hold my still life in my vision. There is nothing wrong with this scene.

            And then he barks. It is a constant yelping and serves no purpose. No one is coming. I think of my earplugs and instead choose a pillow in which I try to bury myself. It doesn’t work, so I return to the window, and look out for the people who are awake. 


By Sarah Sarai. Thanks to Cassandra Oxley, editor of stet, for allowing me to reprint.

Wednesday, October 2, 2019

'The Great Mute Who Is Almighty' & 'The Shiny You Have Missed' - 2 prose poems now in Unbroken


from The Met Museum collection


'The Great Mute Who Is Almighty' & 'The Shiny You Have Missed' - two prose poems - are on Unbroken

Thanks to editors Dale Wisely, Howie Good, and Laura Gregory for selecting these two and for a sophisticated presentation.

I wrote about Julian Bond's chance encounter which enabled the first all Black delegation from Georgia to participate in the Democratic Convention on this blog. Here. (Re: The Great Mute Who Is Almighty). Read both poems.




Wednesday, July 24, 2019

Jaws - The Exorcist: #poem

You're gonna need a bigger boat.

Family

My three siblings are older than I am.
The biggest Russian doll who
contains we younger is Jean,
and it is with her I saw the movie Jaws.

For The Exorcist I just went along with
a loose assemblage, friends of friends.
That’s what you do with movies,
you see them, even if it’s the first
day and you are blithe as a donut on
an oblong tray at Winchell’s.
If the Vatican set up a table in
the theater lobby like Seventh Day
Adventists in the subways I’d have
signed up for a catechism class on
the spot. That was some scary shit.

One time Jean sent me a clipping from
the San Francisco Examiner.
Two sisters, 76 and 82ish, lived together
on Nob Hill until the older murdered
the younger. Watch your back, kid,
Jean printed in the margin.

I knew Jaws was going to be epic,
am unsurprised by this future of
plastic predators-of-the-seas rising from
bubble baths on Saturday Night Live.
But when the shark leapt from an
endless ocean of lost whalers, Jean
and me, we screamed, we shrieked,
we grabbed each other’s hands.

Before and after Jaws I have known terror.
That was the only time I ever held my sister’s hand.
___
Sarah Sarai. Published in Geographies of Soul and Taffeta (Indolent Books), 2016.

Monday, May 30, 2011

Sisters, Memorial Day

This is a weird way to memorialize Memorial Day. But honest, if that counts. I woke up thinking about my sister, Judy. 

Who died in the past ten years.  Of cancer. She'd braved chemo for four years.  Of the four girls--me and my three sisters--she was the only one who had kids, a comment on my family of course.  There's a whole lot I'm not going to say here.

We didn't have a great relationship and I knew I'd need help mourning her when she passed so I tried Gilda's Place, you know, Gilda Radner.  It's a great gift for grieving relatives but for me, flawed.  Gene Wilder unabashedly loved his wife.  Him, I believe. I needed another way to talk about my sister and ended up elsewhere (no specifics, sorry). 

What I have never chipped away at in trying to grieve or mourn her is what could have been.  What was--was my niece and nephew, two amazing, intelligent, joyous, complicated (but not too complicated), beautiful kids who are now beautiful adults.  Other than them and the fact of family (a big fact, granted) we, Judy and I, wouldn't have been friends (unless, in the big hypothetical, my not being family would made me more worthy in her eyes). Probably because our interests were so different but more because her response to mine was too often disinterest and contempt I had to hide so much of who I was around her. She made fun of my friends.

Who she met, granted, only because I lived in her house for two years in the early seventies.  It was my only fallback, my mother having moved on divorce before my first year in college was over. There was no other family. So when I was in my early twenties Judy left me there with her husband while she went on long business trips. No, it wasn't worse case scenario, but it was funky.

I can't even begin to explain how race figures into this. Mainly as a gift. Really and truly. But I was a chubby white hippie-influenced intellectual with a black inlaws, living in the Crenshaw District.  And my white sister was anti-intellectual and anti-art--or any art I liked.

She talked to me long and hard about her life.  I could never say much about mine.  Not to her. I don't think she wanted to know me, but I think she liked me. A lot of people liked me for a lot of years, but they didn't want to know me.  These days I want to know me and honestly care about only a few people.  My triple-Aquarianness accounts for my great caring for anyone used by others, the wretched on our earth, to paraphrase Frantz Fanon.  Otherwise, today at l east, I'm just trying to figure out how to connect better with the few.

Wednesday, October 13, 2010

Poem: St. Igneous (she's pyrotechnically literate)

Sr. Sedimentary still refuses to talk to me, despite notes and holy ablutionary gestures; keeps throwing corpses of family and friends on the burning pile. She's the wittiest person I'll ever meet.  We water bearers are a trickly lot.  Just sayin'.



St. Igneous on a Roll


Grabs her ankles, flames down the hillock to
thud, jarred, a millisecond. Her miracle,
Metamorphic. Once fire, now earth.

A saint’s gimmick inspires awe, medallions,
intercession with fate, that rock-of-ages
defying sensible choice.

Holy Igneous, pyrotechnically literate,
budge your big Sr. Sedimentary
sitting on life’s spark.

_______________
Sarah Sarai. Originally published in Asbestos. [Hah! but true!] Included in The Future Is Happy.