Showing posts with label the self. Show all posts
Showing posts with label the self. Show all posts

Saturday, February 13, 2010

Open Letter: Finally getting my thoughts together (for Team Poetry at the very least)

This is an open letter to a woman I have only seen (at a poetry reading) but not met; Facebooked (but not met). She sent me an e-mail lovely and self-revelatory and all I could think of was how different we were. I struggled with the differences and responded with some quick tart comments.

And that was that.

That was in late November. I'm not going to explore why it took so long to get my thoughts together. I suppose I should celebrate the fact that I'm not spending another ten years in shame and hostility as I consider a fate (uh, romanticized word) different from mine, (fate: as if I were a Greek maiden who risked Hera's rancor by sleeping with Zeus, or daughter of a tragic hero destined for an eye-catching end). I'm neither; I'm an American woman, for good and bad and bad and good.

My friend wrote--I can't find the e-mails--she was a bit of a loner and suspected I was the same.

And I was off and running on the endless track in my wee brain.

First off, friend, I wanted to say, I am not a loner, I'm a joiner. My ten years in Seattle were joining upon joining. My joining in New York was hampered, true. I attended the world's most unfriendly grad. school which set a pace. For years, New York City was me bouncing against brick walls and I tried to be part of various literary communities. The closest I came was to have my photo in a PEN newsletter with the wrong name identifying me. Last year I volunteered to be part of a jury for a PEN prison writing competition and was told they "were going in a different direction (with PEN members)" which was a lie. PEN members weren't chosen as jurors, something I have strong experience with (jurying), blah blah. More of the same.

I digress. Friend, you've been married, twice as I understand it, have grown children. I am a spinster. No kids. Health issues affecting every adult decade. Allergy issues that had me identifying with The Sleeping Detective so much I couldn't watch. Economic hardship as a way of life.

But that's it. All the above is a way of life. My tendency to see myself as a victim is a tendency and a poor insight into the fates' weavings. It's true that my combination of extreme wit, verbal skill, brains and imperfect body, plus my age (as in my being old enough to have lived through unrestrained open hatred of smart women) has stood in my way but my greatest obstacle to, uh, happiness, a.k.a. self-acceptance has been me.

We were getting to know each other because we share a subversive perspective. The differences--marriage (to a man or woman, I'm open) are not indictments. It may be we are each of us creatures of light and individuality and my only "problem" has been my struggle with my lights and my extreme (yeah, I can be pretty extreme) Sarah-ness.

Emerson wrote, Each man is a unique. This woman is a uniquer unique.

Friend, because there's no point in my going into enough detail to identify you or further blueprint my schema of correspondences and lights Trojan War-long and then some, I'm holding off on specifics.

But let me say this. I remember when I read Lee Ann Roripaugh's second book, wondering how she had the guts to reveal so much. By the time I met Lee Ann, I'd forgotten (me being me), and assured her I found nothing her mother might object to in her work. A week or so later I remembered being blown away by Roripaugh's openness. Other writers, poets, bloggers lead the way in honesty.


In brief: A good writer should be so simple that (s)he has no faults, only sins. [Yeats' journal]
Perhaps: Sarah Sarai was sent to earth to help Team Poetry save the righteous.

Saturday, October 31, 2009

About poetry: I don't believe in free will

A poem of mine was recently accepted by a review. These things happen. These things are what poets who are foolish as I am think life is made of. (It's not. Life is made of 360 degrees plus a galaxy with swirling planets and burning patient stars. Life is made of Steamboat Willie plus infancy. Life is made of palms on skin plus revolution of every sort.)

The poetry co-editor suggested I send an additional batch of poems -- as many as possible -- so editors could select an additional poem. Feverish me sent off twenty or thirty more poems. I hadn't even figured out page breaks on OpenOffice.org.

The review accepted one more poem. Fine. I have a poem accepted therefore I exist. Fine.

But when I later took another look at the "additional" poems I excitedly sent off - my resubmission was shortly after my book was published, so everything I sent was relatively new - I realized I'd sent incomplete and sometimes awkward work. I knew, not for the first time, that given my battles with focus and clear thinking, the incredible effort it takes to whittle away enough of the stuff around me, to gently befriend my "self" with all its confusion, resentments and fantasies, the "self" that's taken so many years to produce Sarah Sarai's first book, that, practically speaking, I can only be sure of five or six poems at a time.

Why am I writing this? To learn something about myself. To possibly learn to contradict what I believe about myself. To get it out. See, as far as I'm concerned, my book is a miracle. I now know there'll be other books - one novel is ready, the two novellas are almost ready, the next poetry collection is being formed. They are standing on the shoulders of giants of literature, but also on my confused inner linebacker.)

I don't believe in free will. All these years of giving free its due, of being fair, of being judicious about my role in things, I realize I no longer believe in it, in free will, the ability to utter a saucy "no!' to distraction and get the job done.

Why? Because exercising my will is too difficult to be considered a routine choice or path. I try. It's easy to be willful. That's a knee jerk, a promise of danger, a reflex, a chance to say or do something that will bring me shame, a chance to repeat stupid patterns which I learned or which I created. Why don't I believe in free will? Because I have this sense my every action is predestined by my physiology, my body's chemistry, my brain's receptors and neurons. To exercise free will, I have to yoke a double team of reluctant oxen to my chest, and pull.

That isn't free, that's punishment. Granted, the reward for that punishing motion in a sane direction is serenity and sanity, but if that is free will, then free will as debated by philosophers is far more difficult than suggested. (Granted my knowledge of philosophy after Hobbes is a bit light.)
I know I am a complainer; maybe the above is a complant and I'm too close or arrogant or (oh please no please no please no) self-pitying to accept that the slew of thirty-something poets with good work out there are like Helios able to work with their team of oxen and horses every day, able to make the sun shine every day. I feel better if I allow the sun, Helios-led or simply inevitable, shine on my life. Am I a self-absorbed poet? Sometimes, sure. But sometimes I'm absorbed with the $100,000,000 Bloomberg has spent on his 2009 mayoral run. Or with putting Cheney and Bush aren't in stocks for commiting heinous acts of savegery. Or with why racism is stronger than ever in the face of its inevitable demise.

I believe in free and I believe in will. That's a start. Without writing poetry I wouldn't be able to celebrate either.