For instance, courtesy of legend and the history of western painting, St. Sebastian is usually imagined as visibly pierced. but here, it's the not visible that marks him. I'm always afraid to talk muses (superstitious me), so moving to the third poem below . . . the acknowledgement that a nation's metamorphosis is ongoing. Currently that change, invention, reinvention is obvious and painful to observe in Egypt, but look at Egypt's mighty, varied history, look at America's steps and missteps; look. The poet's history as Egyptian and American, hovers.
On a personal note, Yahia has a good sense of humor. That's high praise, right there. Three from his latest collection:
St. Sebastian
Sometimes, he found it difficult
to dislodge the arrows
preferring to keep them there
reverberating in silence
along with his invisible wounds.
Defiant Muse
to dislodge the arrows
preferring to keep them there
reverberating in silence
along with his invisible wounds.
Defiant Muse
With myth and parable, the defiant muse
reminds us of the art of being present
and then, how to vanish without a trace.
reminds us of the art of being present
and then, how to vanish without a trace.
Egypt
You are the deep fissure in my sleep,
that hard reality underneath
a stack of soft-cushioning illusions.
Self-exiled, even after all these years,
I remain your ever-adoring captive
I register as inner tremors
—across oceans and continents -
the flap of your giant wing, struggling
to be free, and know I shall not rest until
your glorious metamorphosis is complete.
Barely There, Short Poems (Wolf and Stock, 2013) by Yahia Labadidi.
No comments:
Post a Comment