How's this for a title: Wobbly Petals.
Shake-a shake-a flutter. Flutttttter.
Since I didn't use a question mark you may infer what I implied. It's a good title.
Full: Wobbly Petals: Sarah Sarai's Princess Di.
That's from Lisa Howe's blog, Sister Arts: Gardens, Homes, Art, Community. Earlier this week, Howe, who is a poet, professor, scholar, bon vivant, featured one of my poems, and by featured I mean created ekphrasic art. Responding to "A Bullish Run Into Chambers," published by Fringe, Howe created a lush photo essay and commentary.
That's enough from me. Please take a look. Again, Wobbly Petals: Sarah Sarai's Princess Di.
http://www.fringemagazine.org/lit/poetry/were-always-in-a-room-and-two-more-poems/
Showing posts with label Fringe Magazine. Show all posts
Showing posts with label Fringe Magazine. Show all posts
Saturday, April 23, 2011
Saturday, March 26, 2011
Fringe Magazine's Map Issue, 3 of my poems (backstory below)
Three poems of mine, "We're always in a room." "A Bullish Run into Chambers" and "A Territory of the Miracle" are in Fringe Magazine's Issue 26, on maps.
"We're always in a room." came about because I always was in a room, in my dreams, until I wasn't. And why not? I love rooms. They're nesting places and remind me of framed narratives (such as The Decameron or The Arabian Nights--stories within larger stories).
"A Bullish Run into Chambers" was a response to a comment I read and disagreed with--about the phenonenon of those public flower homages to honor the dead we may not know, schoolchildren or John Jr. The comment I disagreed with insisted such tributes are shallow. I say they are not shallow.
And finally, "A Territory of the Miracle" was born in Seattle, best as I can remember, making it a long-termer of a poem. I absolutely remember the image I had, of a figure rising from a bog, and my understanding it offered, or wanted, connection.
Also, I just remembered having returned from my mother's terrible operation in Los Angeles. I remember thinking about It All and wondering if there was reason to live through any more and then watching a dust mote, as I lay in bed, living in a ray of sun. I remember understanding that was enough.
Thanks to Fringe Poetry Editor, Anna Lena Phillips, for having a sharp eye and access to a front porch.
"We're always in a room." came about because I always was in a room, in my dreams, until I wasn't. And why not? I love rooms. They're nesting places and remind me of framed narratives (such as The Decameron or The Arabian Nights--stories within larger stories).
"A Bullish Run into Chambers" was a response to a comment I read and disagreed with--about the phenonenon of those public flower homages to honor the dead we may not know, schoolchildren or John Jr. The comment I disagreed with insisted such tributes are shallow. I say they are not shallow.
And finally, "A Territory of the Miracle" was born in Seattle, best as I can remember, making it a long-termer of a poem. I absolutely remember the image I had, of a figure rising from a bog, and my understanding it offered, or wanted, connection.
Also, I just remembered having returned from my mother's terrible operation in Los Angeles. I remember thinking about It All and wondering if there was reason to live through any more and then watching a dust mote, as I lay in bed, living in a ray of sun. I remember understanding that was enough.
Thanks to Fringe Poetry Editor, Anna Lena Phillips, for having a sharp eye and access to a front porch.
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