The Times' Sunday Magazine included a tribute to Ingmar Bergman shortly after his death. He'd taken years to connect gut and body, to weather a personal climate of emotions. Finding purchase on myself was similar; a long haul. I remember being fascinated with the life cycle, care and feeding of emotions--how were they ingested and released? Were we all supposed to feel? Feel? I had not a clue.
The other notable Bergman/Sarai connection is strawberries. Best dessert of childhood--from my all-Swede ma (born in Queens): strawberries smashed on buttered bread and sprinkled with sugar.
Smiles of a Summer Night
Until age 39,
Ingmar Bergman
couldn’t feel,
and then I’d bet
sluice gates
were spared
a flood. In
mysterious space,
Earth sets back of Moon.
Planets notably hang,
or glide ellipses,
without rest, with-
out holidays or joy.
It isn’t so bad,
being human.
I was 34 when I
noncomprehended
my cartographer’s
etched landform
bobbing in waters
restless with monsters.
I was mass, the equal
of height and weight.
I floated, hemispheric,
in myself. No sluice
here either, but,
with age, something
to educate dreams.
Rest, Ingmar Bergman, now silent and learning.
Sarah Sarai; pub. in Flaneur Foundry, 2009
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